Today I received help from physical, mental and spiritual sources. I thank you all. A much needed email arrived from software goddess / medical technician S. P. , who advised me on the proper use of a hand splint. I learned that I need to use it when I sleep in order to prevent my wrist from curling inward.
At the health club today, everyone else split at 12:45 pm, giving me the privacy that I needed  to set the weight machine to the twenty pound setting and exercise my upper body muscles to at least a minimal degree. I do not want to totally neglect my upper body strength, but, on the other hand, I don’t want to completely disable my right wrist before this upcoming performance. We will see how the wrist feels tomorrow morning. This gig at Smith’s Olde Bar may just be a one nighter, but I have to get my playing up to as high a level as I would to begin a tour. I can’t let the audience down simply because it is a one night event. My rehearsal today involved simply finding the notes; not putting any emotion into them. The music may have originated in the heart, but the remembering of it originates in the mind and sometimes even in the body; in a seeming reverse order to the way it was created. And speaking of looking back at music …
For the past two nights, while lying in bed, I have been listening to some old Nobz live recordings from 1979 and 1980. We fancied ourselves at that time to have evolved from a punk band into a more polished new wave band. These live recordings are so raucous that we sound just as punk as we did in 1977, without realizing it at the time. At the 1979 gig at The Big Dipper on Ponce de Leon Avenue, our bass player had left the band and I had to play bass and sing at the same time. Today, I am shocked at how well I pulled it off, considering that I have no aptitude for bass playing. Two of the songs from this show will be used on the next Nobz re-issue. The other live recording, from 1980, was made at the Agora on Peachtree Street. The songs are mostly written by the other guitarist, Tim Trautman, who did most of the singing at this gig. Tim’s free form lead guitar playing was in top form at this show ! He and I both play occasional keyboards at this show, which neither of us had any aptitude for. I can’t believe that we displayed our lack of keyboard knowledge at a 1,000 seat club like this, but then again, arrogance was one of the prerequisites for being a part of the new wave movement. If you didn’t have arrogance and a total lack of talent, the new wave community would not accept you. This may have been the night that we opened for the Swimming Pool Qs and the Method Actors; I’m not sure. There are three or four rockin’ songs from this show that will be used on the CD. Â
With reacquaintance,
I.C.